The Gharana tradition of India has fascinated music connoisseurs across the globe. In India a lot of importance is given to family heritage, be it wealth, profession or be it any form of art. The Gharana style of classical music being passed down through generations shows how much people of the subcontinent respect the presence of music in their lives. Although this style of classical music was more widespread earlier, it began to fade away as musicians began to travel, spreading their talents. During their widespread traveling they would give performances and also attend other concerts. They came across musicians from other musical Gharanas. And so instead of adhering to what they had been taught they began to imbibe other styles. Today, Gharana style of music has more or less faded away into oblivion with only a few musicians adhering to where they originally belong.
Gwalior Gharana is the oldest among all the Khayal Gayaki style Gharanas. The founder of this Gharana was Nathan Pir Bakhsh of Lucknow. During late 18th century he moved to the Gwalior court of Maharaja Jankoji Rao Scindia to escape the professional rivalry with another musician that had taken an ugly turn. The distinctive feature of this style of singing has been known for its lucidity and simplicity. Without going into further technicalities of this Gharana tradition, let us listen to some of its well known exponents.
Krishnarao Shankar Pandit - Tappa Kafi - O Miya Janewale :
Vasundhara Komkali - Mishra Mand - Mriganayani :
Madhup Mudgal - Alahiya Bilawal - Kavan Batariya :
Meeta Pandit - Gaud Malhar - Umad Ghumad Aayo :
Some of the more famous musicians belonging to Gwalior Gharana include D V Paluskar, Omkarnath Thakur, Kumar Gandharva, Malini Rajurkar, Amjad Ali Khan, Veena Sahasrabuddhe and many more. The list is long and one can go on and on. And of course the vocalists, and songs posted above, belong to the Gwalior Gharana.
.. more songs of other Gharanas coming soon.
Thursday, January 21, 2010
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2 comments:
This post is excellent but for a novice like me, it would be of great help if some specialities / nuances of this Gharana are highlighted and compared with other gharanas...there are several resources out there that can do partial justice to that but this blog has the ability to articulate it very well...Keep the great work going..
Your suggestion is justified, but I try to make things as simple as possible over here. I feel an attempt to write elaborate details would only scare people away. My target audience is newbies of classical music. But thanks for dropping by and giving me your valuable feedback.
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